Abbas Kiarostami Quotes
Top 65 wise famous quotes and sayings by Abbas Kiarostami
Abbas Kiarostami Famous Quotes & Sayings
Discover top inspirational quotes from Abbas Kiarostami on Wise Famous Quotes.
I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.
Cinema seats make people lazy. They expect to be given all the information. But for me, question marks are the punctuation of life.
I think life is so difficult to catch, it's so furtive, that a copy, a film, can in no way catch it and represent it.
I can watch films and say how technically beautiful they are, but I'm not impressed by any technicality.
Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
In real life, when someone's partner calls them, they can tell from the first word their partner says what their mood is.
I don't generally derive my stories from novels. I try to turn into film things I have felt or experienced.
It's not so much a question of whether we've shot it through 35mm or digital video; what is important is whether the audience accepts it as real.
I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
There is violence in real life but I would never impose violence in a film just to attract the audience.
As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
I didn't just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
The one-word cinema wasn't possible for me anymore. I'd hit a wall, a dead end. Therefore I thought I'd turn back.
If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.
In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
Usually when I write a script, I have in mind some real people that I'm writing about, who don't always act in the film afterward.
In my mind, there isn't as much of a distinction between documentary and fiction as there is between a good movie and a bad one.
I would be too selfish if I said everyone should see my movies more than once. To say that would mean I'm just marketing my work!
Light: the greatest painter and photographer of all. At every single moment of our lives we see different images, different pictures.
I'm still very grateful to digital cameras in general, but I didn't have this feeling with the RED one.
I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
I've often noticed that we are not able to look at what we have in front of us, unless it's inside a frame.