Edward Norton Quotes
Top 81 wise famous quotes and sayings by Edward Norton
Edward Norton Famous Quotes & Sayings
Discover top inspirational quotes from Edward Norton on Wise Famous Quotes.
Basically, I think 21st century conservation is moving toward preserving ecosystems by dealing with the needs of people.
The more you do your homework, the more you're free to be intuitive. But you've got to put the work in.
I knew Danny DeVito and he knew me, so he wanted me to try Death to Smoochy. I loved that stuff and had a great time doing it.
Young people know how to use these social networking tools, and they know how to use them effectively.
You know when somebody really knows what they're drawing from and you can feel it when you see the movie.
In drama, I think, the audience is a willing participant. It's suspending a certain kind of disbelief to try to get something out of a story.
Instead of telling the world what you're eating for breakfast, you can use social networking to do something that's meaningful.
I tend to relate to a character in terms of the arc: what's interesting is where he starts versus where he ends up.
The elegance of staying with a moment, without needing to stop and change all the lighting, made [the alternative] seem lazy and indulgent.
I like it when the deeper you go with the character, the more you see the layers start to peel away.
If two people are at completely different stages in their spiritual life, that can present a real problem.
The Zionist Tulsa Jew who's pugnacious is a reality. I grew up around it. And I think it's really, really funny and surprising and unlikely.
I have this embedded faith in the process through which films of a certain type get discovered on longer timelines.
Sometimes their oppression of emotion and the weird way it comes out is more interesting than painting it in bold primary colors.
Most of what I know about environmental conservation I learned from my father, who has been a leader within the movement for over 30 years.
As we say in the sewer, if you're not prepared to go all the way, don't put your boots on in the first place.
I do find myself drawn more to pieces that I feel are wrestling with the way that we're living now, what we're all going through.
I've always liked the idea of taking old dramatic ideas and devices and making them feel relevant or contemporary or whatever.
When I'm the one who sits down and looks at the blank page and writes it out all the way, then I'll call it my script.
People say you can't make movies about your politics or the environment. And, generally speaking, I completely divide those sides of my brain.
People think because I went to Yale that that implies privilege, and it is a privilege in the sense that it's an incredible opportunity.
Most of the films that I've ever really responded to are ones that I feel were really involved in their times.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.
People are worried about the degree to which corporate interest is starting to threaten human interest.
It must be good to be in Germany and France, because I have completely forgotten what it is like to be proud of your government.
I remember as a kid having the offer of a scholarship, that it was going to be like going to Mars, and deciding to stay in my public school.
Any questions I had about whether a redneck from Oklahoma could become a Brown Classical Philosophy professor ended when I met Tim [Blake Nelson].
If you try to make interesting films, you're going to be disappointed most of the time. I choose just not to look at it that way.
I never think that a film should answer questions for you. I think it should make you ask a lot of questions.
The incentive for business is not, and cannot, be anything other than the root incentive for all business: they must profit.
When you have a pipe salesman with a business called Macabee Pipes, I'd say you've got your tongue planted firmly in your cheek.