Jill Soloway Quotes
Top 62 wise famous quotes and sayings by Jill Soloway
Jill Soloway Famous Quotes & Sayings
Discover top inspirational quotes from Jill Soloway on Wise Famous Quotes.
Someone will say to me, Oh that's so Jewish to interrupt. I say to myself, okay, is that code for you hate Jews? Or am I just being paranoid?
Independent filmmakers already have their heads around people on their couches watching their movies.
'Six Feet Under,' for me, was college. Alan Ball and Alan Poul ran that show and really taught me what it meant to really run a show in a classic way.
Normally, you cast a pilot, and you have to make compromises about being political about who you cast.
In my own work I am invested in art as a way to break through impasses, whether those impasses are personal, social, or political.
I've been writing about misogyny for 20 years and trying to understand what femininity means for my entire career.
If there's a woman who is exhibiting her femininity or performing her femininity, it's always seen as meant to pull in the male gaze.
I'm very aware that just driving blindly towards money won't get me anything. I drive blindly towards making the world a better place.
I really relate to the feeling of falling in love 10 times a day and wishing I could never stop falling in love.
I've been told by people I respect that flashbacks only work if they have their own narrative, but they can't be part of the present narrative.
It's really easy to do sad; you just put on some sad music and write dramatically - everybody can do that.
I am beyond excited to share 'Transparent' with the world through Amazon. They've been so supportive through this incredible process.
To me, it wasn't 'Star Wars' that shaped me; it was more 'Mary Tyler Moore' and, nowadays, 'Louie' and 'Girls.'
By recognizing your own vulnerability you can recognize and identify with the vulnerability in others.
There are times when folks will point out certain characteristics I have, like me being an interruptor, and attribute them to my Jewish identity.
It's a struggle every day to get people to invest financially in portrayals of women that aren't satisfying to straight white men.
My sister and I are incredibly close, and we created together from childhood through the time we spent in Chicago at the Annoyance Theatre.
If you're female, and you want to express your femininity, you're actually demonized in the 'Free To Be ... You And Me' generation.
My family gets incredibly tense and stressed out around traveling. There's something really beautiful in that vulnerability.
Femininity in and of itself - and the feminine - can be not only privileged, but honored or worshipped.
There's something about the kind of unconditional wild joy of creating that you have with your siblings that I am always trying to get back to.
I think kids in general are much more capable of understanding the idea of being transgender than adults.
There is a real comfort with the position of the victim, which can either result in true empathy or deep paranoia.
So many features at Sundance seemed to be powered more on the director's need to be a director than any particular story.
I think, because of the Internet, we're not looking at the very, very narrow channels for distribution that there used to be.
The first time that I saw people actually make the thing that I wrote was my first episode of 'Six Feet Under.' It was called 'Back To The Garden.'
The only way things will change will be when we're all wilder, louder, riskier, sillier, unexpectedly overflowing with surprise.
You just have to say over and over again: 'I am a director.' Nobody gives it to you. Nobody anoints you.
I said to my parents that I don't even know if there should be an Israel. And they were just so upset and hurt.